For the unaware U.S. pop fan, Kylie Minogue's first evidence of a three-night run at New York's Hammerstein Ballroom would seem to be an overindulgent spectacle. A two-hour running time, multiple costume changes, a golden Pegasus on point and half-naked dancers suspended in air - isn't this the "Loco-Motion" and "Can't Get You Out of My Mind" two-hit wonder?
Of course, Minogue's faithful know better, and were out in droves on Monday night (May 2) to observe an international star whose back catalogue has never received its deserving embrace from the stateside mainstream.
Video: Kylie Minogue performs at NY's Hammerstein Ballroom"
Yes, Minogue played "Can't Get You Out of My Head" (with a crunchy rock twist, no less), but the set list was cluttered with equally infectious dance tracks,from "In My Arms" to "Wow,"to which her diehard fans knew every word.It also leaned heavily on Minogue's last album, 2010's "Aphrodite," but the epic "Looking For an Angel" and triumphant set-capper "Put Your Hands Up (If You Feel Love)" fit in nicely with the balance of Minogue's oeuvre. "All The Lovers," which Minogue used to end the dark as confetti rained upon the crowd, transformed from an uneven album opener to an unstoppable anthem within the flash of an eye.
As often as the songs popped, Minogue was buoyed by an eye-catching set purpose that involved a trinity of staircases, huge white pillars and a massive HD video screen that showed images like raindrops in the embodiment of hearts. Each song carried its own clever theme, with dancers dressed as Roman warriors during one song and Arabian slaves the next.
Minogue, to her credit, kept pace with the theatrics, gyrating alongside her backup dancers and forcing the mellow notes to hit the rafters. Monday night proved that, at 42, Minogue is still an under-appreciated musical force, and one that should not be lost on an all-too-rare U.S. trek.
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